I tweeted this the other day, but this is probably the best song of 2010 so far.
It's not safe for work. And really not safe for kids.
But amazing all the same.
Tech, music, sports, and other stuff.
I tweeted this the other day, but this is probably the best song of 2010 so far.
It's not safe for work. And really not safe for kids.
But amazing all the same.
My job tends to be a little ... disorganized. It's incredibly interrupt driven (we're an internet company, and I end up working on projects that are either very time-sensitive from a "need to get this done now" perspective or from a "uh oh, many many customers are in need of a fix" perspective.
In both cases, that means whatever I was working on gets dropped, back-burnered, ignored, whatever. I used to deal with that by leaving emails flagged in my inbox, writing emails or post-its to myself, or, wellll ... just forgetting what I was working on before.
In any event, it was not a particularly good way to manage my time.
People have been hyping the "Getting Things Done" methodology for the last few years; it's been almost impossible to avoid the hype in the tech corners of the internet. It seems to be a pretty good philosophy for keeping track of what you're working on and working on the right stuff. In a nutshell, you either:
Nothing groundbreaking, but a good framework.
The problem was, I was doing that all through email, which meant that (on good days) my inbox would be flooded with 10 or 12 flagged items (reminders to do stuff), with more stuff piling on top. Manageable, but not a particularly good way to do stuff (and it ensured that certain things would never get done until someone came and bitched at me).
Then OmniFocus came out for the iPad and I saw some videos and I said "a-ha!" This is what I need to manage all of the crap that flows into my inbox. I grabbed the Mac download and tried it out for two weeks. I spent a couple of hours on a Saturday morning throwing a bunch of my to-do items into the inbox, organizing them, setting up projects, and adding due dates.
It took a week or so to get the hang of it.
And that's what the folks at The Omni Group expect. They give you a two week trial so that you'll dump your life into it, get the hang of it, and then need to pay them a reasonably high price (but, so far, worth it) to keep it going.
Now, every morning, I run through my to-dos for the day. Anything that isn't pressing, I'll either take the due date off of completely (so that it's not in my face), or I'll push it back to an appropriate day. As stuff pops up in my inbox, I grab it and throw it into OmniFocus and then clear it out of my email.
It's a nice system.
It goes a lot deeper than that, but even if you just use it for breaking down your tasks, that's probably worth it.
Rather than having 20 flagged emails in my inbox, I head to work and look at my work to-do list, and I've got the list of things that are past due, due today, and due over the next few days. When someone asks me "hey, do you have time to work on X", I can give them a quick rundown of what's on my plate and ask them which stuff can get pushed off.
Throw in the fact that I'm also managing all of my personal tasks (buying groceries, remembering to clean the kitchen floor, calling to get my wisdom teeth out), and you can pretty quickly see how the value adds up. Oh, and fun stuff like recurring tasks ... say, posting to a blog that you've left wilting on the vine.
OmniFocus just happens to be the app I ended up on. There are others out there (as well as a million and one ways to do it using Outlook, Gmail, text files, etc).
This tutorial is what got me hooked. If you have 30 minutes, see if the philosophy at least makes sense.
Apologies in advance for the pedestrian entry. It's about 2 weeks late and I would have had more to say if I had written this more real-time. Instead, you get a video. So, that's cool.
Over the past few weeks (about 6, to be exact), we've been had a nice run of concerts. First, we had a bill of We Were Promised Jetpacks (best name in music) and Tokyo Police Club (one of the best names in music) at Royale in Boston.
I'd been a bit turned off over the past couple of months at shows, as the crowds had gotten decidedly disinterested in the music and interested in chatting it up and being seen (which is why a place like TT the Bear's is nice -- no one goes there to "be seen"). This was show was better -- it was a random Thursday night, school was over, so it wasn't a scene. It was just a few hundred people who liked the bands there to check them out. Both were spot on.
Then, a few weeks later, we hit up Bank of America Pavilion (probably my second least favorite place to see a show) to see Arcade Fire. Arcade Fire, at the time, were probably the only band I really love that I'd never seen live. They didn't disappoint. Just a spectacle from beginning to end, only tempered by the fact that BoA Pavilion is such a craptastic venue.
Finally, a few days after that, we checked out Interpol at House of Blues. They played a nice mix of older stuff and stuff off the new album (which sounded pretty good). Interpol isn't a hugely dynamic band (especially compared to Arcade Fire), but it was a good crowd and Interpol seemed to feed off it and really ripped into things.
Anyway, after all that, I decided I wanted to screw around and learn iMovie a bit. So, for your pleasure, here's four bands and probably 5.5 hours of music cut down to 8 minutes.
I wrote this a couple of weeks ago -- I just hadn't had a chance to edit it until now.
Sitting about 6 miles above the Earth in a cramped airplane seat, I'm banging out a summary of my experience traveling with the iPad. This is the wifi-only iPad, one that I've had since day 1. I'm using the Apple bluetooth keyboard, which makes typing something a bit longer like this significantly easier.
The Ugly
The Bad
The Good
Now, I've had a couple of bad screen experiences (sitting in bright sunlight, you're screwed due to reflections and due to the fact the iPad will heat up too much to use). That's going to make beach going a challenge for most folks. (though I'm pasty white and spend 99% of my time under a parasol, so maybe not for me ...)
In the end, the iPad is just a phenomenal travel tool because of the convenience. Everything about it (well, except the fingerprint magnet of a screen and the dust magnet of a case) is design to make it easy to bring with you and do whatever. You never need to charge it (I charged it twice in 10 days). You can get through airport security without unpacking it (generally). You can watch TV, movies, read a book ... basically whatever you want. If you have wifi (or the new 3G model), you can do even more. (Or, when someone figures out how to tether it to an non-jailbroken iPhone.)
To paraphrase Spoon ...
"I'm blogging this to you from an iPad ... Someone better call a [something that rhymes with iPad]"
This is a legit game changer. Believe the hype.
This could have been any of about 10 songs off of Phoenix's album Wolfgang Amadeus Phoenix. Phoenix just basically craft these intricate pop/rock songs, where not a note is out of place. Sure, the lyrics make only very abstract sense, but partially that's a French band writing American pop music.
I had only vaguely listened to Phoenix (their last album) before I saw on them on SNL. Watching them perform and hearing this layered pop song come together -- the first repeated note, the drums, the melody, then the lyrics. If it never built from there, it'd still probably have made my top ten (as I'm a sucker for power pop).
But nope, then it hits the bridge, gets very quiet with the piano, and it's just like a time bomb ... there's the bass and boom, everyone hits at once, all on beat, and we're off.
Like a riot, like a riot, oh, indeed.
(It's not "like a rhino", as I'd initially thought.)
(Also, if you don't like this song, you have no soul.)
The second of the Scottish-related bands that made the extended list (We Were Promised Jetpacks being the other), Camera Obscura always seemed to me like they were a female-fronted Belle and Sebastian-lite. The same sorts of meandering chamber pop, but just not quite as good.
I've liked them, but there just wasn't anything about them that made them stick out.
Then I heard "French Navy".
With it's 60s Girl band sound, and production that wouldn't have been out of place in Motown, Camera Obscura may have eclipsed single song their forefathers of Belle and Sebastian created (well, maybe not "Boy With The Arab Strap"). It's also my second favorite song of the year, and likely could have been number one if you I wrote this a week ago or a week from now.
Top to bottom, Metric's Fantasies might be my favorite album of the year. Or at least it might have the most songs that stick out. "Sick Muse", "Help, I'm Alive", and this one "Gold Guns Girls". Emily Haines' voice carries the album, with Metric bringing what they do, which is a pretty straight forward rock sound that gets reinforced by some synthesizers and looped beats. What results are these great songs with a cacophony of sound surrounding Haines' voice which runs the spectrum from whisper to scream.
Put all together, it can be amazing or .... less than amazing (see some tracks off of the re-released debut album).
This is amazing.
The latest arrival to the list, I first heard Fanfarlo a couple of week's back on NPR's All Songs Considered Year-end Review. I was hooked. After listening to it a few more times, I was more hooked.
Sounding very much like The Arcade Fire (with the multiple instrumentation), it also reminds me a ton of The Delta Spirit (who made last year's list). Just a lot of energy, driven by the foot-stomping, hand-clapping percussion. Probably my favorite find of 2009, and it happened in late December. If I make this list 3 weeks ago, you may have never heard of Fanfarlo either.
Passion Pit blew up this year. Huge. Commercials. Shows on The CW. FNX's Christmas on Tremont St. concert, arguably upstaging Phoenix and Spoon.
I don't generally like music that runs this electronic. But this is so damn poppy, and so damn good, and they can play all of this music live ... it's not just someone in a studio. It's a bunch of synths and instruments. They're a real band playing real music, that just sounds like it was a dude in a studio with a bunch of computers.
So, that's how I end up with Passion Pit in my top 10. And "Moth's Wings", in particular, as it's the deepest song, sonically, I think, from the whole album.